格架
丹尼尔·德哲兹
共 422字,需浏览 1分钟
·
2023-07-07 17:21
These lattices derive from the series of extendable panels begun before the 1970's. They are painted on both sides in a way that disturbs pictorial space and introduces a quasi-impressionist feeling. Daniel Dezeuze, who has always been in dialogue with the illusionistic space of the canvas, shifts the boundaries between painting and sculpture by using these lattices which have a regular pattern of lozenge shaped voids.
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