哥特式照明

Pousette-Dart developed his pantheon of diamonds, circles, and organic shapes into vertical compositions in the 1950s and 60s. The thickly layered forms in this work suggest an underwater seabed, a stained glass window, or the streaming refractions of filtered light. Where in earlier paintings there are still some distinct, quasi-representational forms, the elements here are abstract and fluid, diffused across the colored ground.