工作室

The Studio marks the beginning of Philip Guston's move away from abstraction and back to the figuration he practiced during the 1930s and 1940s, while he worked in the WPA mural painting style. This painting is widely recognized as an early meta-self portrait, in which Guston presents himself, laboring at his easel in the hood that he will continue to employ as a motif in future Klansmen works. Puffing on a cigar through his hood, the painter keeps his hand free to create his masterpiece: a cartoonish self-portrait of his hooded persona. Clement Greenberg once remarked that, with the exception of Arshile Gorky, Guston was the most romantic artist of his generation.