诺曼底格兰维尔

Turner seems to have used the process of making 'colour studies' as a means of establishing how a particular lighting effect would clothe the outline shapes of his topographical material, in a sense allowing light to define form . These loose studies were an interim stage between the pencil sketches he made on the spot and his finished watercolours . For example, this is one of two colour studies showing the coast at Granville in Normandy. Both works are derived from sketches in the 'Coutances and Mt St Michel' sketchbook (TB CCL) and are characterised by the radiant light of sunset falling across the bay. However, despite making a promising start, Turner is not known to have produced a finished watercolour of this view.