明天的苹果（5个白色）

Hesse trained as a painter but, in the mid-1960s, experimented with making reliefs like this one, and began to use materials such as wool and string. This development was prompted by the difficulties she was having in translating her often complex drawings into painting. From making reliefs, Hesse naturally gravitated towards sculpture. This is one of Hesse’s earliest relief works and, like others of the time, is characterised by semi-organic shapes and trailing linear elements.