所罗门·R·古根海姆

Hamilton is fascinated by the artifice and illusion inherent in the construction of images. In the mid-1960s, he made a series of works based on Frank Lloyd Wright's striking spiral design for the Guggenheim Museum in New York. Hamilton was interested in the problems of perspective and the paradox of representing a three-dimensional form on a flat surface. Here, a false perspective gives the expanding helix an impression of top-heaviness. The building appears to lurch out of the picture, like a relief .