它的头上的木头

The Wood on its Head is Baselitz's first inverted painting, in which he upends his subject matter to frustrate recognition of the objects depicted. Its motif, based on a picture by the early 19th century painter Louis Ferdinand von Rayski, is similar to those found in his previous work, but here he makes them secondary to the physical properties of the medium. This radical approach troubles our ability to interpret the picture, leaving us wondering whether we are now looking at an abstraction or, simply, a conventional landscape upturned. We might read it as symptomatic of Baselitz's continuing attempts to find a different path from those that had been dominant when he emerged - the gestural abstraction of Paris and New York, and the Socialist Realism of the Eastern bloc.