泰格茅斯

Turner was meticulous in his monitoring

of the quality of prints after his work.

His precise instructions in the margins

of this proof read: The tone of the church requires a little more solidity about the upper part, but take care of blackness. One of the figures standing on the shore in the middle distance is too much a Falstaff, the other Master Slender. Make the sun, if you

can, more visible as to disk [thus] at the uppermost side, and the plate will do.

The boat's foremast has no bottom to

it, burnish one in and make a shadow.