Planet Hong Kong

Since the 1970s, Hong Kong has been home to arguably the world's most energetic, imaginative mass-market film industry. At its peak, it surpassed nearly all Western countries in number of films released, ruled the East Asian market, and produced movies (ranging from John Woo's action pictures to the comic adventures of Jackie Chan) that have thrilled global audiences and attai...

Since the 1970s, Hong Kong has been home to arguably the world's most energetic, imaginative mass-market film industry. At its peak, it surpassed nearly all Western countries in number of films released, ruled the East Asian market, and produced movies (ranging from John Woo's action pictures to the comic adventures of Jackie Chan) that have thrilled global audiences and attained cult status in the West. This book offers a deeply informed and highly engaging look at how Hong Kong cinema has become one of the success stories of film history, and how it has influenced international film culture and the development of film as a medium. As sentimental and outrageous as Hong Kong films can be, David Bordwell demonstrates that they are not merely crowd-pleasing; they harbor remarkable inventiveness and careful craftsmanship and in many cases rise to the level of a rich and delightful art. Bordwell surveys the historical conditions that fueled the rise of this cinema: the high output, shrewd entrepreneurship, changing world tastes, and a unique skill in action genres that cross cultural boundaries. Considering both the movies themselves and the bigger picture, he moves from deft and detailed analyses of many classics of this tradition to a broader assessment of the basic strategies and impulses of mass entertainment.

大卫·波德威尔，威斯康辛大学麦迪逊分校教授，是当今世界一流的电影学者。他对香港电影情有独钟，到香港多次调查研究后再以其深厚学养写成此书，对香港电影自20世纪70年代至今的艺术成就及其国际影坛的贡献分析入微。

何慧玲，曾任报馆及香港国际电影节编辑及翻译，现职自由人。

李焯桃，曾任《电影双周刊》总编辑、香港国际电影节节目策划、香港电影评论学会会长。著有《八十年代香港电影笔记》、《观逆集》及《淋漓影像馆》等影评结集共八册。