The Right to Look

In The Right to Look, Nicholas Mirzoeff develops a comparative de-colonial framework for visual culture studies, a field that he has helped to create and shape. Casting modernity as an ongoing contest between visuality and counter-visuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-cent...

In The Right to Look, Nicholas Mirzoeff develops a comparative de-colonial framework for visual culture studies, a field that he has helped to create and shape. Casting modernity as an ongoing contest between visuality and counter-visuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality," plantation slavery, imperialism, and the present-day military-industrial complex. He describes how, within each of these, power is made to seem self-evident through techniques of classification, separation, and aestheticization. At the same time, he shows how each complex of visuality has been counteredoby the enslaved, the colonized, and opponents of war, all of whom assert autonomy from authority by claiming the right to look. Encompassing the Caribbean plantation and the Haitian revolution, anti-colonialism in the South Pacific, anti-fascism in Italy and Algeria, and the contemporary global counterinsurgency, The Right to Look is a work of astonishing geographic, temporal, and conceptual reach.

Nicholas Mirzoeff is Professor of Media, Culture, and Communication at New York University. He is the author of several books, including An Introduction to Visual Culture, Watching Babylon: The War in Iraq and Global Visual Culture, and Diaspora and Visual Culture: Representing Africans and Jews, as well as the editor of The Visual Culture Reader.