Running with the Devil
A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword
Winner of the 1994 Irving Lowens Book Award from the Society for American Music
Dismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts tha...
A comprehensive musical, social, and cultural analysis of heavy metal music, with a new foreword and afterword
Winner of the 1994 Irving Lowens Book Award from the Society for American Music
Dismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author.
Robert Walser is a professor and director of the Center of Popular Music Studies at Case Western Reserve University. He has published extensively on popular music, including Keeping Time: Readings in Jazz History. Walser has received NEH and ACLS fellowships and has twice won the Irving Lowens Award. HARRIS M. BERGER is professor of music and performance studies at Texas A&...
Robert Walser is a professor and director of the Center of Popular Music Studies at Case Western Reserve University. He has published extensively on popular music, including Keeping Time: Readings in Jazz History. Walser has received NEH and ACLS fellowships and has twice won the Irving Lowens Award. HARRIS M. BERGER is professor of music and performance studies at Texas A&M University. He is the author of Stance and coeditor of Metal Rules the Globe.