Phenomenology of Perception

First published in 1945, Maurice Merleau-Ponty’s monumental Phénoménologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for ov...

First published in 1945, Maurice Merleau-Ponty’s monumental Phénoménologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for over fifty years, makes this classic work of philosophy available to a new generation of readers.

Phenomenology of Perception stands in the great phenomenological tradition of Husserl, Heidegger, and Sartre. Yet Merleau-Ponty’s contribution is decisive, as he brings this tradition and other philosophical predecessors, particularly Descartes and Kant, to confront a neglected dimension of our experience: the lived body and the phenomenal world. Charting a bold course between the reductionism of science on the one hand and "intellectualism" on the other, Merleau-Ponty argues that we should regard the body not as a mere biological or physical unit, but as the body which structures one’s situation and experience within the world.

Born in 1908, Merleau-Ponty died in 1961 at the age of 53. This essay will follow the basic contours of his thought, beginning with the first published work, The Structure of Behavior (SB), followed by the Phenomenology of Perception (PP), and concluding with the posthumously published The Visible and the Invisible (VI). It will include only brief excursions into his writings o...

Born in 1908, Merleau-Ponty died in 1961 at the age of 53. This essay will follow the basic contours of his thought, beginning with the first published work, The Structure of Behavior (SB), followed by the Phenomenology of Perception (PP), and concluding with the posthumously published The Visible and the Invisible (VI). It will include only brief excursions into his writings on politics and art. Although I have no interest in dividing his oeuvre into three distinct periods, nonetheless, each of these works marks a stage in the philosophical itinerary of his thought, culminating with an ontology of the flesh elaborated in his later thought.