The Liberal Imagination

The Liberal Imagination is one of the most admired and influential works of criticism of the last century, a work that is not only a masterpiece of literary criticism but an important statement about politics and society. Published in 1950, one of the chillier moments of the Cold War, Trilling’s essays examine the promise —and limits—of liberalism, challenging the complacency ...

The Liberal Imagination is one of the most admired and influential works of criticism of the last century, a work that is not only a masterpiece of literary criticism but an important statement about politics and society. Published in 1950, one of the chillier moments of the Cold War, Trilling’s essays examine the promise —and limits—of liberalism, challenging the complacency of a naïve liberal belief in rationality, progress, and the panaceas of economics and other social sciences, and asserting in their stead the irreducible complexity of human motivation and the tragic inevitability of tragedy. Only the imagination, Trilling argues, can give us access and insight into these realms and only the imagination can ground a reflective and considered, rather than programmatic and dogmatic, liberalism.

Writing with acute intelligence about classics like Huckleberry Finn and the novels of Henry James and F. Scott Fitzgerald, but also on such varied matters as the Kinsey Report and money in the American imagination, Trilling presents a model of the critic as both part of and apart from his society, a defender of the reflective life that, in our ever more rationalized world, seems ever more necessary—and ever more remote.

莱昂内尔·特里林（Lionel Trilling，1905—1975），出生于美国纽约，就读于哥伦比亚大学，于1932年回校任教，在他长期的和非常杰出的职业生涯中作为一个文学评论家，他在校教英语系。他继承阿诺徳、利维斯以来的批评传统，侧重从社会历史、道德心理的角度评论文学和文化，被称为20世纪中期美国年青一代的思想导师，对当代批评影响甚大。在他的许多作品中，最有影响力的三本散文集：《自由想象》，《反对自我》，《超越文化》；讲座集《诚与真》。莱昂内尔·特里林与作家、评论家戴安娜·特里林结婚。