Landscape Painting

Enigmatic and ambiguous in its role as both setting and subject, the landscape has been one of the most important genres in painting for centuries. This dedicated survey spans the late Middle Ages to modern times to bring the evolution of the landscape genre to life through its most critical works, executed by groundbreaking artists as diverse as Titian and Warhol.

As a form, l...

Enigmatic and ambiguous in its role as both setting and subject, the landscape has been one of the most important genres in painting for centuries. This dedicated survey spans the late Middle Ages to modern times to bring the evolution of the landscape genre to life through its most critical works, executed by groundbreaking artists as diverse as Titian and Warhol.

As a form, landscapes represent the topography of the natural world as much as our own; reflecting the diversity of earth’s vistas, but also keen indications of developments in representational aesthetics, religious and political history, notions of the sublime and the romantic, as well as the arrival of modernity and the vast changes wrought on the environment by industrialization and urbanization.

Opening this insightful volume is an introductory essay offering a meticulous overview of the genre and its most crucial developments. Luscious double-page spreads on each of the 34 featured artworks include a crisp painting reproduction and an extensive art historical analysis on the masters of the form―including such greats as Hieronymus Bosch, Pieter Bruegel, El Greco, John Constable, Claude Monet, and David Hockney.

Norbert Wolf graduated in art history, linguistics, and medieval studies at the Universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Dusseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velazquez, Ernst Ludwig Kirchner, Caspar ...

Norbert Wolf graduated in art history, linguistics, and medieval studies at the Universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Dusseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velazquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting, and Symbolism.