On DSCH
始于肖斯塔科维奇的《24 Preludes and Fugues》，Igor Levit 这套具有史诗气质的雄心之作旨在向 J.S.巴赫致敬，并对严格形式限制之下的音乐表达展开探索。这位德国钢琴家是诠释这套鸿篇巨制的理想人选，他以犀利而富节奏感的手法清晰展现出俄罗斯作曲家谱写的对位旋律（《Fugue
| 名称 |
|---|
 24 Preludes and Fugues, Op. 87: Prelude No. 12 in G-Sharp Minor |
| Passacaglia on DSCH, Pars Altera: Fanfare - Forebodings. Alarm - Glimpse of a War-Vision |
| 24 Preludes and Fugues, Op. 87: Prelude No. 24 in D Minor |
| 24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major |
| 24 Preludes and Fugues, Op. 87: Prelude No. 9 in E Major |
| 24 Preludes and Fugues, Op. 87: Fugue No. 21 in B-Flat Major |
| Passacaglia on DSCH, Pars Tertia: Triple Fugue over Ground Bass, Subject II. B A C H |
| Passacaglia on DSCH, Pars Altera: Pedal-Point. "To Emergent Africa" |
| 24 Preludes and Fugues, Op. 87: Fugue No. 16 in B-Flat Minor |
| 24 Preludes and Fugues, Op. 87: Fugue No. 5 in D Major |
| 24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major |
| 24 Preludes and Fugues, Op. 87: Fugue No. 11 in B Major |
| 24 Preludes and Fugues, Op. 87: Fugue No. 18 in F Minor |
| Passacaglia on DSCH, Pars Altera: Central Episode. Études |
| Passacaglia on DSCH, Pars Prima: Sonata allegro |
| 24 Preludes and Fugues, Op. 87: Prelude No. 19 in E-Flat Major |
| 24 Preludes and Fugues, Op. 87: Prelude No. 18 in F Minor |
| 24 Preludes and Fugues, Op. 87: Fugue No. 2 in A Minor |
| 24 Preludes and Fugues, Op. 87: Fugue No. 20 in C Minor |
| Passacaglia on DSCH, Pars Altera: Episode |
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