Bach: The French Suites
《法国组曲》本身并不十分具法国风格，这个名字也并非出自巴赫之手；但它们在 18 世纪 20 年代早期到中期——也就是巴赫创作它们的年代，却风靡一时。Mahan Esfahani 充分发挥了当时流行演奏方法的轻盈和优雅，在这六首组曲的短舞曲中发掘了无穷的变化。他的演奏充满了亲切感。事实上，这张专辑最大的
| 名称 |
|---|
 Suite in E-Flat Major, BWV 819: Vb. Menuet II |
| French Suite No. 5 in G Major, BWV 816: III. Sarabande |
| Suite in G Minor, BWV 822: III. Gavotte en rondeau |
| French Suite No. 6 in E Major, BWV 817: II. Courante |
| French Suite No. 6 in E Major, BWV 817: V. Polonaise |
| French Suite No. 5 in G Major, BWV 816: II. Courante |
| Suite in G Minor, BWV 822: Vb. Menuet II |
| French Suite No. 1 in D Minor, BWV 812: II. Courante |
| Suite in G Minor, BWV 822: II. Aria |
| Suite in E-Flat Major, BWV 819: III. Sarabande |
| French Suite No. 5 in G Major, BWV 816: VII. Gigue |
| French Suite No. 1 in D Minor, BWV 812: IVc. Menuet I da capo |
| French Suite No. 3 in B Minor, BWV 814: I. Allemande |
| French Suite No. 2 in C Minor, BWV 813: III. Sarabande |
| French Suite No. 6 in E Major, BWV 817: Ia. Prélude |
| French Suite No. 5 in G Major, BWV 816: I. Allemande |
| French Suite No. 3 in B Minor, BWV 814: III. Sarabande |
| French Suite No. 3 in B Minor, BWV 814: VI. Gigue |
| Suite in A Minor, BWV 818: III. Courante |
| Suite in E-Flat Major, BWV 819: II. Courante |
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