Beethoven: The Late Piano Sonatas
与贝多芬晚期创作的四重奏一样，他的最后五首钢琴奏鸣曲同样把这种体裁带入了全新的领域。其中，《A 大调第 28 号钢琴奏鸣曲》风格最为传统，但已经可以让人感受到作曲家意在表达的野心。接下来，在雄壮的《“槌子键琴”》（即《第 29 号钢琴奏鸣曲》）中，你可以听到时年 20 多岁的 Igor Levit 泰
| 名称 |
|---|
 Piano Sonata No. 32 in C Minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile |
| Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto |
| Piano Sonata No. 28 in A Major, Op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro |
| Piano Sonata No. 29 in B-Flat Major, Op. 106 "Große Sonate für das Hammerklavier": III. Adagio sostenuto |
| Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo |
| Piano Sonata No. 29 in B-Flat Major, Op. 106 "Große Sonate für das Hammerklavier": II. Scherzo. Assai vivace |
| Piano Sonata No. 28 in A Major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto |
| Piano Sonata No. 32 in C Minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato |
| Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo |
| Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo - Fuga. Allegro ma non troppo |
| Piano Sonata No. 28 in A Major, Op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia |
| Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo |
| Piano Sonata No. 28 in A Major, Op. 101: I. Etwas lebhaft, mit der innigsten Empfindung. Allegretto, ma non troppo |
| Piano Sonata No. 29 in B-Flat Major, Op. 106 "Große Sonate für das Hammerklavier": IV. Largo - Allegro risoluto |
| Piano Sonata No. 29 in B-Flat Major, Op. 106 "Große Sonate für das Hammerklavier": I. Allegro |
| Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo |
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