Beethoven: The Last Three Sonatas, Opp. 109-111
毛里奇奥·波利尼于 1977 年首次录制了贝多芬的最后三首钢琴奏鸣曲,如今,这位伟大的意大利钢琴家在全新的现场录音专辑中再次诠释了这些旷世杰作,岁月的流逝丝毫无损波利尼演奏的神韵。之前在录音室里,他早期的表演或许有些质朴含蓄,而在这里,贝多芬作品中的艺术挣扎与技术挑战得到了更加鲜明的展现:《第 32
名称 |
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Piano Sonata No. 31 in A-Flat Major, Op. 110: 1. Moderato cantabile molto espressivo |
Piano Sonata No. 30 in E Major, Op. 109: 3b. Variation I: Molto espressivo |
Piano Sonata No. 30 in E Major, Op. 109: 3g. Variation VI: Tempo I del tema |
Piano Sonata No. 30 in E Major, Op. 109: 3c. Variation II: Leggiermente |
Piano Sonata No. 32 in C Minor, Op. 111: 2e. Variation IV |
Piano Sonata No. 31 in A-Flat Major, Op. 110: 2. Allegro molto |
Piano Sonata No. 30 in E Major, Op. 109: 3d. Variation III: Allegro vivace |
Piano Sonata No. 30 in E Major, Op. 109: 3e. Variation IV: Etwas langsamer als das Thema |
Piano Sonata No. 30 in E Major, Op. 109: 2. Prestissimo |
Piano Sonata No. 32 in C Minor, Op. 111: 2c. Variation II |
Piano Sonata No. 32 in C Minor, Op. 111: 2d. Variation III |
Piano Sonata No. 30 in E Major, Op. 109: 1. Vivace, ma non troppo - Adagio espressivo |
Piano Sonata No. 30 in E Major, Op. 109: 3a. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) |
Piano Sonata No. 30 in E Major, Op. 109: 3f. Variation V: Allegro, ma non troppo |
Piano Sonata No. 31 in A-Flat Major, Op. 110: 3a. Adagio ma non troppo |
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