Bach
巴赫十分钟爱鲁特琴,他曾将自己的作品《第五号无伴奏大提琴组曲》改编成由鲁特琴演奏的另一个版本。鲁特琴为作曲家编写和声提供了更广阔的可能性,于是,在原版大提琴谱子中无法实现的和声到这里成为了现实,而这样的改编实际上等同于创作出了一部新的音乐作品。Thomas Dunford 遵循着巴赫的脚步,他的《第一
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Suite in G Minor, BWV 995: VII. Gigue (Arranged for Lute) |
Violin Partita No. 2 in D Minor, BWV 1004: V. Chaconne (Arr. for Lute) |
Suite in G Minor, BWV 995: V. Gavotte I - VI. Gavotte II en rondeau (Arranged for Lute) |
Suite in G Minor, BWV 995 (Arr. for Lute): III. Courante |
Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Lute): I. Prélude |
Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Lute): VII. Gigue |
Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande (Arranged for Lute) |
Cello Suite No. 1 in G Major, BWV 1007: V. Menuet I - VI. Menuet II (Arranged for Lute) |
Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Lute): II. Allemande |
Suite in G Minor, BWV 995 (Arr. for Lute): I. Prélude |
Suite in G Minor, BWV 995 (Arr. for Lute): II. Allemande |
Cello Suite No. 1 in G Major, BWV 1007: III. Courante (Arranged for Lute) |
Suite in G Minor, BWV 995: IV. Sarabande (Arranged for Lute) |
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