福特·马多克斯·布朗全部影视作品
首发于 qinglite.cn，统计截止日：2025-02-18
 海黛发现唐璜 | - |
| 罗马人在曼彻斯特建造一座堡垒 | - |
| 1639年，威廉·克拉布特里首次观测金星凌日 | - |
| 在爱德华三世法院的乔 | - |
| 飞行装置的发明者约翰·凯 | - |
| 一个叫佩奇的男孩头像 | - |
| 1363年在曼彻斯特建立背景下的弗拉芒织布工 | - |
| 残酷的阶段 | - |
| 三岁的凯茜·马多克斯·布朗 | - |
| 道尔顿收集沼泽火气 | - |
| 李尔和科迪莉亚 | This is the first of three paintings by Brown that illustrate scenes from Shakespeare's tragedy King Lear. All three pictures are based on a series of pen and ink sketches produced during a trip to Paris in 1843-4. On 2 May 1848 Brown saw William Charles Macready (1793-1873) in a production of the play, and began work on this picture in November of the same year.The painting illustrates Act IV, Scene VII from the play. Brown used models for most of the figures, but the head of Lear was inspired by 'a cast of Dante's and a drawing of Coulton' . He used his favourite model, Maitland, for the soldiers on the right, and his new pupil and friend, Dante Gabriel Rossetti, for the fool, who holds Lear in his sinister stare. He modelled the head of Cordelia on his own wife-to-be, Emma, but the hands were those of a professional model, Mrs Ashley. In order to render the spirit of Shakespeare's play, he chose to dress his figures in the costume of the 6th century when, according to Brown himself, as noted in his 1865 catalogue, 'paganism was still rife, and deeds were at their darkest.' Behind Lear's head he includes a detail from on of the main scenes in the Bayeux Tapestry.The picture was first shown at the Free Exhibition in 1849, where it was well received, but remained unsold. Brown continued to work on the picture intermittently until 1854, when it was bought by John Seddon the architect for 15 guineas. |
| 克拉布特里在1639年观看金星的过境 | - |
| 埃德温洗礼的片段（c.585-633）诺桑比亚和德伊勒国王 | - |
| 布拉德肖对曼彻斯特的防守 | - |
| 在粮食丰收 | - |
| 先生，带上你的儿子 | - |
| 关于度量衡的宣言，1556年，“哈钦森的英国民族故事”中的插图 | - |
| 从曼彻斯特驱逐丹麦人 | - |
| 最后的英格兰 | - |
| 英国诗歌的种子与果实 | - |
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