乔治·卢克斯全部影视作品
首发于 qinglite.cn，统计截止日：2024-11-25
 休斯顿街 | - |
| 缅因州伊丽莎白角的渔夫 | - |
| 海丝特街 | - |
| 纽约第五大道 | - |
| 煤城 | - |
| 汉纳福德湾 | - |
| 粉红丝带的女孩 | - |
| 麦迪逊广场 | - |
| 河岸上的巨石 | - |
| 秋季景观 | - |
| 顶上的房子 | - |
| 低地奥斯堡湖,安蒂隆达克斯 | - |
| 破浪 | - |
| 女孩与玩偶 | - |
| 巴黎卢森堡花园的主入口 | - |
| 一个年轻女孩的肖像 | - |
| 普罗斯佩克特公园 | - |
| 摔跤手 | After studying with Thomas Anshutz at the Pennsylvania Academy of the Fine Arts in Philadelphia and furthering his training abroad in Germany at the Düsseldorf Art Academy, George Luks traveled throughout Europe, returning to the United States in 1894. He first worked as a newspaper illustrator for Philadelphia journals; in 1896, following the encouragement of fellow illustrators Robert Henri, John Sloan, and Everett Shinn, who had also studied with Anshutz, he relocated to New York City.Criticized for his poor handling of the human anatomy, Luks answered his detractors by rendering this complex scene of two nude wrestlers. The artist’s perspective was radical for the time. Luks’s composition effectively presses the viewer to the edge of the wrestling pit, thereby emphasizing the down-at-heels setting. The jarring vantage point also evokes the sweaty underbelly of modern urban life, a theme for which he and fellow members of the Ashcan School would become known. |
| 米格尔广场的轻量级冠军 | - |
| 露丝·布雷斯林小姐的肖像 | - |
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