弗朗索瓦·邦万全部影视作品
首发于 qinglite.cn，统计截止日：2024-11-26
 音乐的属性 | A lute and flute rest on top of sheet music. This painting was intended to hang above a door, opposite still lifes that represented the other fine arts of painting and sculpture (the two related paintings are in the Musée du Louvre, Paris). Bonvin was part of the 19th-century movement known as Realism. Led by Gustave Courbet (1819-1877), the Realist painters were interested in depicting the world that surrounded them, as well as the popular culture of their time. |
| 坐在餐桌旁编织的修女 | François Bonvin was a prolific watercolorist, and he developed a lifelong interest in modest religious subjects showing scenes of everyday life. This delightfully simple image of a nun knitting reveals the artist's appreciation for 17th-century Dutch artists such as Johannes Vermeer (1632-1675), whose work he copied. |
| 运水工坐在他的轭上 | - |
| 录取通知书，修道院内部 | - |
| 斯皮耐琴前的女人 | The subject of the woman at the piano was a recurrent theme in Bonvin’s oeuvre. The pianist depicted here was likely Céline Prunaire, a 21-year-old musician who married the much older artist in 1860. Although the meticulously rendered composition celebrates the grace and propriety of the young woman, the happiness of the couple’s union was fleeting. Prunaire left the artist after fewer than three years, never to return. The pink carnation at her feet suggests a note of foreboding to the image, perhaps intended to allude to the ephemeral nature of music and sentimental bonds. |
| 手持曼陀林的年轻女子，路易斯·科勒的画像 | Bonvin was fascinated by the realism of 17th-century Dutch, Flemish, and Spanish still life paintings. He was also aware of the French Realist movement, a highly candid, straightforward style with political overtones. This work embodies both the realism for which Bonvin was famous and the still life paintings of earlier periods. The woman in the painting is Louison Köhler (1850–?), the artist's mistress. After two failed marriages, Bonvin met her in 1870, and she remained with him until his death, appearing in several of his paintings. The image of the reclining woman hanging directly over Louison's head probably suggests the carnal nature of their relationship. Bonvin borrowed this image—a swooning, overjoyed female—from the famous painting Bacchanal by Titian (1485–1576), now in the Prado Museum in Madrid. |
| 船在海滩，港口 | - |
| 铁匠铺习作：纪念勒泰港 | - |
| 担架员（“倒下的屋顶工”习作） | - |
| 阿劳特的乡村街 | - |
| 一个女人的画像 | - |
| 吉他手 | - |
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