欧内斯特·梅松尼尔全部影视作品
首发于 qinglite.cn，统计截止日：2025-01-03
 1870年对巴黎的围困 | - |
| 星期天在普瓦西 | - |
| 画家 | - |
| 玩槌球游戏 | - |
| 拿破仑三世在索尔费里诺战役中 | - |
| 1814年。法国坎帕涅(劳恩战役后，拿破仑和他的随从从苏瓦森返回) | This painting—in a small format rather unusual for a painter of military history—indicates Meissonier's taste for seventeenth-century Flemish and Dutch painting and demonstrates his nimble, polished style. Despite its smallness, the vast expanse of desolate plain and leaden sky give breadth to the scene as does the dilated perspective around the central figure of the Emperor magnified by a slightly low angle.The least details are minutely recorded: Napoleon's sprouting beard, the veins on the horse's legs, the snow dirtied by the marching troops... the Director of the Ecole des Beaux Arts, Charles Blanc, said that Meissonier "painted grandly in a small size". The artist applied the same meticulous approach, but as a historian this time, to his preparatory research: he collected abundant documentation, questioned many eyewitnesses and tried unsuccessfully to borrow the Emperor's grey coat.Meissonier's approach was part of the historical realism movement which invaded painting and sculpture under the Second Empire. The episode he has chosen, although it occurred after several victories, announces forthcoming defeats. There is no action or event, just an atmosphere of loneliness and despondency. The doubts and resignation felt by the officers and the troops are palpable and are opposed to the determination that emanates from the isolated figure of Napoleon. These feelings are accentuated by the colour range: the whole scene uses brown and grey tones, subdued, deadened registers. The protagonists are not trampling virgin snow, but muddy ground.Campaign of France, 1814 is in fact the first painting of an unfinished cycle of Napoleon's conquests, which brought Meissonier great acclaim. |
| 自画像 | - |
| 纸牌游戏的结束 | - |
| 玩纸牌的人 | - |
| 1807年,弗里德兰 | Meissonier, largely self-taught, established his reputation in the 1840s as a painter of small-scale genre scenes rendered in meticulous detail. An 1864 history painting, "1814, the Campaign of France" (Musée d'Orsay, Paris), signaled the artist's new interest in epic Napoleonic subjects. Countering that image of Napoleon in defeat, "1807, Friedland," Meissonier's largest and most ambitious painting, evokes one of the emperor's greatest victories. These two paintings were the only realized works in a projected cycle of five episodes in the life of Napoleon."1807, Friedland" gained notoriety in 1876 when the American department store magnate Alexander T. Stewart (1803–1876) purchased it from the artist, sight unseen, for an astronomical sum. Judge Henry Hilton acquired the work at Stewart's estate sale and in 1887 bequeathed it to the Metropolitan Museum. |
| 普瓦西的塞纳河畔 | - |
| 国际象棋手 | - |
| 普瓦西桥旅馆 | - |
| 昂蒂布附近的街景 | - |
| 战后救济 | - |
| 年轻人拿着一本书 | - |
| 利兰·斯坦福 | - |
| 哲学家 | - |
| 1814年拿破仑一世 | - |
| 在露台上 | - |
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