莫迪里阿尼全部影视作品
首发于 qinglite.cn，统计截止日：2024-11-16
 戴宽沿帽的珍妮 | - |
| 吉普赛女人抱着婴儿 | - |
| 头像 | - |
| 一个女孩的画像 | By the time Modigliani painted this portrait he had developed his distinctive style of representing the figure. This woman’s elongated neck and stylised features embody his personal vision of beauty. It derives from his interest in a wide variety of arts then considered to be ‘primitive’, including African carvings and Cambodian sculptures, as well as the thirteenth-century paintings and sculpture of his native Italy. He was invited by his friend Gino Severini to join the Futurist art movement which celebrated the dynamism of modern life. Modigliani preferred instead to pursue his own artistic development. |
| 女像柱 | - |
| 波罗斯卡夫人 | An extreme elongation of the female form is seen in Modigliani`s portrait of Hanka Zborowska,a friend and the wife of his dealer. The style embodies his own vision of beauty, but it derives from his interest in a wide variety of arts then considered to be `primitive`, including African carvings and Cambodian sculptures , as well as the thirteenth-century paintings and sculpture of his native Italy. |
| 女像柱与花瓶 | Modigliani made more than seventy drawings of caryatids, as preparatory sketches for sculptures . He is said to have conceived of a ‘temple to humanity’ surrounded by hundreds of such caryatids. The drawings include a distinct group in which the figure bears a vase. This detail literally suggests springs and may, more poetically, allude to sources of inspiration. Modigliani used watercolour to emphasise his highly stylised and rhythmic construction of the body, offering a view of female beauty influenced by Indian and Cambodian carvings. |
| 小农夫 | This is one of a small group of paintings of youths by Modigliani. The artist inscribed the work's title on the bottom right of the canvas , identifying the sitter as a 'peasant boy'. However, the same model appears in a painting in the collection of the Louvre, Paris, titled 'The Young Apprentice'. Modigliani had long been deeply influenced by the painter Paul Cézanne (1839-1906), and it seems likely that this painting was a homage to the latter's series of country workers posed centrally in the canvas and painted in predominantly blue tones . (See, for example, Cézanne's 'The Gardener Vallier', also in this room.) |
| 让·科克托 | - |
| 坐着的年轻人 | - |
| 莱昂·因登鲍姆 | - |
| 坐着的女像柱 | - |
| 阿道夫·巴斯勒的画像 | - |
| 阿纳迪亚梅娜 | - |
| 裸体 | - |
| 音乐家马里奥 | - |
| 保罗·纪尧姆 | - |
| 一个女人的肖像 | - |
| 女人侧面 | - |
| 母亲 | - |
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