阿德·赖因哈特全部影视作品

首发于 qinglite.cn,统计截止日:2025-08-17
如何看螺旋-
如何看待艺术家-
阿德·赖因哈特撰写的一页纸-
拯救艺术-
如何看待现代艺术(细节)-
如何看待现代艺术In this famous cartoon of 1946 Ad Reinhardt tried to encapsulate the essence of the artistic modernism with its history and inherent conflicts within the American context. The tree of modern art has its roots deep in history - the Greeks are here, and so are Persian miniatures and Japanese prints. The roots represent the four pillars of Post-Impressionism: Vincent Van Gogh, George Seurat, Paul Cezanne, and Paul Gauguin. The tree is burdened by the weights of "subject matter" and "business as art patron," and a cartoon within the cartoon mocks the perpetual debate of representation versus abstraction. By juxtaposing business and art, Reinhardt aptly comments on the situation of the avant-garde in the United States, where the public and, more importantly, the patrons were rather biased against the abstract art, often calling it "degenerate" and "subversive."
鲁思·本尼迪克特和吉恩·韦尔特菲什的《人类种族》插图-
107号This painting is one of several monochromes in which Reinhardt explored the use of a vertical format. The combination of the white paint with the natural color of the underlying canvas emphasizes the composition.s tonal variations. The rough-edged, horizontal brushstrokes of varying length and paint saturation create a bricklike pattern that is at once structured and painterly. Reinhardt developed these brick forms with greater linearity and modularity in paintings such as Abstract Painting (Blue) of 1953.
22号-
黄色绘画-
43号(抽象绘画,黄色)-
6号-
红色和蓝色的构成-
无题-
无题(纽约世界博览会)-
绘画习作-
拼贴画-
30号-
抽象画In this work, subtle variation in hue creates a discernable grid, an effect intended to be neither symbolic nor referential but purely optical. Reinhardt argued for the elimination of sentiment from art. “I don’t understand, in a painting,” he said, “the love of anything except the love of painting itself.”
无题(来自作品集“十个作品X十个画家”)-
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