阿德·赖因哈特全部影视作品
首发于 qinglite.cn,统计截止日:2025-08-17
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![]() | In this famous cartoon of 1946 Ad Reinhardt tried to encapsulate the essence of the artistic modernism with its history and inherent conflicts within the American context. The tree of modern art has its roots deep in history - the Greeks are here, and so are Persian miniatures and Japanese prints. The roots represent the four pillars of Post-Impressionism: Vincent Van Gogh, George Seurat, Paul Cezanne, and Paul Gauguin. The tree is burdened by the weights of "subject matter" and "business as art patron," and a cartoon within the cartoon mocks the perpetual debate of representation versus abstraction. By juxtaposing business and art, Reinhardt aptly comments on the situation of the avant-garde in the United States, where the public and, more importantly, the patrons were rather biased against the abstract art, often calling it "degenerate" and "subversive." |
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![]() | This painting is one of several monochromes in which Reinhardt explored the use of a vertical format. The combination of the white paint with the natural color of the underlying canvas emphasizes the composition.s tonal variations. The rough-edged, horizontal brushstrokes of varying length and paint saturation create a bricklike pattern that is at once structured and painterly. Reinhardt developed these brick forms with greater linearity and modularity in paintings such as Abstract Painting (Blue) of 1953. |
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![]() | In this work, subtle variation in hue creates a discernable grid, an effect intended to be neither symbolic nor referential but purely optical. Reinhardt argued for the elimination of sentiment from art. “I don’t understand, in a painting,” he said, “the love of anything except the love of painting itself.” |
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