皮尔·波纳尔全部影视作品
首发于 qinglite.cn，统计截止日：2025-01-04
 马车 | - |
| 汉堡，野餐 | - |
| 打猎 | - |
| 埃拉尼的街道或埃拉尼的的狗 | - |
| 海景 | - |
| 游艇 | - |
| 信 | - |
| 韦尔农大桥 | - |
| 工人 | This painting was created as one of a series of four paintings to decorate the house Bernheim-Jeune, a Paris art dealer. Although his works are characterized by bright colors and a luminescent quality, few of his works were meant as pure decoration, like Workers. The paintings in the series were meant to depict scenes from four different regions of France, and present symbolic messages of culture and nature. This painting was created to represent the city and contemporary life. It illustrates a bridge in Neuilly, on the Seine River downstream from Paris, which was heavily developed in the 19th century, and which Bonnard considered an example of contemporary urban life. |
| 没有检测到 | - |
| 春天的风景 | - |
| 花园 | - |
| 韦尔农的露台 | - |
| 红地毯上的水果 | - |
| 一束含羞草 | - |
| 艺术家工作室景色, 勒卡内 | Similar to his fellow Nabis artists, Bonnard preferred the use of color and decorative elements to the academic technicalities in art. He became devoted to flattening out his representations into two dimensions, and exploring the many properties of color. After he settled in Le Cannet, in Southern France, he became entranced with the seductive properties of the light there, and painted over 300 hundred works which portrayed the vibrant energy of the Southern French region. View from the Artist’s Studio was created only two years before his death, and with the nondescript pathway and colorful background displays more of an abstraction of form that his earlier works. |
| 水果篮 | - |
| 自画像 | - |
| 一个年轻的女孩 | - |
| 在勒格朗朗普（又称公园） | - |
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