乔瓦尼·保罗·帕尼尼全部影视作品
首发于 qinglite.cn，统计截止日：2024-11-20
 亚历山大砍断戈尔迪之结 | - |
| 罗马广场的随想曲 | - |
| 罗马随想曲：万神殿和其他纪念碑 | Roman Capriccio: The Pantheon and Other Monuments is a 1735 oil painting by Italian artist Giovanni Paolo Panini, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts an array of famous Roman monuments in a rural setting. Panini was a famed painter of capriccios, architectural fantasies. In this case, he combined a staggering array of monuments by Romans without regard to topography. From left to right, he included the Temple of Hadrian, the Pantheon, the Temple of Vesta, the Maison Carrée, and the Theater of Marcellus, all of them surrounding the Obelisk of Thutmose III. In front of this overabundance of history, he placed the equestrian statue of Marcus Aurelius, around which contemporary Roman peasants carry out their business. While quite cavalier with regards to geography, Panini was remarkably faithful in his architectural reconstructions. He carefully edited out later additions to the original buildings, such as the walled-in sections in the arches of the Theater of Marcellus and Bernini's bell towers on the Pantheon's pediment.Panini's earliest training was with a painter of theatrical scenery, and certain elements of that early influence can be seen in this painting. The arrangement of monuments is very similar to the way architectural perspective was achieved in the Italian theater. At the front of the "stage" are the peasant-actors in quaint costumes. Fashionable European youths undertook the Grand Tour throughout the eighteenth century, and for half a century to either side, and liked to bring back souvenirs of their travels. Thus, sketches and paintings of landmarks such as those in the Capriccio were very lucrative for Panini and his contemporaries. Escapism and contemplation were more important than geographical accuracy, so Panini was free to rearrange scenery in paintings like this. This creative reorganization led to a better comprehension of the ideal, rather than current, conditions of the monuments and the civilization that made them.The IMA received Roman Capriccio: The Pantheon and Other Monuments and its pendant, The Colosseum and Other Monuments in 1950, as gifts of Lila Allison Lilly in memory of her husband, Josiah Kirby Lilly. Both are currently on view in the Jane H. Fortune Gallery. It has the accession number 50.5. |
| 红衣教主在画廊内 | - |
| 罗马现代画廊景观 | Picture Gallery with Views of Modern Rome or simply Modern Rome is a painting by Italian artist Giovanni Paolo Panini. It is currently owned and on display at the Musée du Louvre in Paris. The painting shows the arrangement of paintings originally commissioned by Count de Stainville, later the Duke de Choiseul. He was the ambassador to Rome from between 1753 and 1757. The Duke is seated on an armchair, in the painting. Among some of the works depicted in this work are, Michelangelo's Moses, Bernini's statute of Constantine, David, Apollo and Daphne. The fountains Bernini designed are also featured in the painting. The painting is the pendant to Ancient Rome. |
| 圣彼得内部 | - |
| 圣彼得堡内部 | - |
| 音乐会 | - |
| 罗马斗兽场 | This view of the Colosseum and the Arch of Constantine is a somewhat fanciful reconstruction showing each monument from its best side. Fallen walls of the Colosseum have been tidied up, and several other works of antiquity have been introduced into the landscapes, such as the famous Borghese vase (now in the Louvre Museum, Paris) at the left. Roman ruins had become popular subjects by the 1700s, in part due to the new interest in archaeology. Panini was a master of these souvenir paintings so favored by wealthy English visitors on their Grand Tour of Europe; this painting and its companion, View of the Roman Forum, were originally in a private British collection. |
| 罗马广场 | - |
| 蒙特奇特里欧宫的欢庆 | - |
| 从马里奥山看罗马 | - |
| 古罗马废墟 | - |
| 贤士来拜 | - |
| 第欧根尼扔杯 | - |
| 建筑随想曲 | - |
| 古典遗址随想曲 | - |
| 万神殿内部（罗马） | - |
| 罗马的废墟和雕塑 | - |
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