阿道夫·戈特利布全部影视作品
首发于 qinglite.cn，统计截止日：2024-12-27
 凤凰的灰烬 | - |
| 比赛 | - |
| 组合画 | - |
| 看着女人的男人 | - |
| 午间浮货 | - |
| 下降的箭头 | - |
| 旅行者的回归 | - |
| 上面和下面I | - |
| 绿色上的蓝色 | - |
| 爆炸 I | - |
| 迷宫2号 | Gottlieb continued to make pictographs until 1953. (See 'The Alchemist', also in this room.) Many of them resembled early forms of communication, for example Egyptian hieroglyphs. One pictograph was titled 'Letter to a Friend'. Gottlieb's later pictographs show the influence of Paul Klee and a move away from an interest in myth. He stated that during the Second World War he 'just dropped the whole idea of classical mythology as subject matter and decided that the proper subject for me was subjective free-association of images and symbols which I couldn't explain.' |
| 炼金术士 | The Alchemist belongs to an extensive series of paintings known as the Pictographs that Gottlieb made in the 1940s and 1950s, drawing upon his dual interests in Surrealism and geometric abstraction. An array of images derived from the unconscious are superimposed onto a flat, abstract space, freely divided into a grid. While his work is influenced by abstraction, 'primitivism' and myth, Gottlieb wanted to avoid culturally specific symbols. The symbols were presented in random order, so as not to predetermine or limit the response of the viewer. |
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