约翰·斐拉克曼全部影视作品
首发于 qinglite.cn，统计截止日：2024-12-24
 无题 | - |
| 祝福 | - |
| 进入黑暗的森林 | - |
| 火蛇 | - |
| 无题（背面形象素描） | - |
| 马尾螺栓 | - |
| 冥王星地区 | - |
| 女人和孩子 | - |
| 维吉尔和比阿特丽斯会议 | - |
| 炼狱之门 | - |
| 习作：一匹马 | - |
| 无题Verso：三个草图，两个嘴和下巴的轮廓 | - |
| 由天使指挥 | - |
| 炼狱的树皮 | - |
| 疾病之谷 | - |
| 一座古典雕像的布景设计；以及一个告别的场景，穿着古典服装的人物索福克勒斯 | - |
| 继莱莫因和米其利诺之后宗教建筑的演变 | Flaxman was the son of a sculptor and he became one of the foremost European neo-classical sculptors of his day. In 1810 he was appointed the first Professor of Sculpture at the Royal Academy. This drawing is a tracing from a book published in Paris in 1770, 'Les Ruines des plus beaux monuments de la Grece'. The book with its views of ancient Greek buildings was very influential in spreading the taste for the neo-classical style in the eighteenth century. The tracing was probably made by Flaxman as part of his background research for the Academy lectures which he delivered annually from 1811. |
| 阿尔切斯特和阿德梅托斯 | The subject of this drawing comes from the tragedy 'Alcestis'. This was written by the Greek playwright Euripides and was first performed in 438 BC. It was based on the legend of Admetus and his wife Alcestis. Apollo, the friend of Admetus, has persuaded the Fates to let Admetus escape death if someone else can be found to die in his place. Alcestis is the only person prepared to do this. After her death Admetus is grief-struck. Hercules brings Alcestis back from the dead. Flaxman was a sculptor and this design owes a debt to Antique relief sculpture. A greater influence, however, were the designs on ancient Greek vases which Flaxman studied when he was in Italy. |
| 苍天 | - |
| 无题习作：不完整的头部和肩部、站立的体形和带孩子的女人，以及部分草图 | - |
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