约翰·吉布森全部影视作品
首发于 qinglite.cn，统计截止日：2024-11-30
 海拉斯对水中的仙女们感到惊讶 | The Greek inscription on the pitcher held by the boy in this sculpture can be translated as ‘beautiful Hylas’. In Greek literature, Hylas was the youthful companion of the hero Heracles (Hercules). As he was fetching water from a spring, the water nymphs, or Naiads, were captivated by his beauty and pulled him into the water, so that he could always live with them. Gibson shows Hylas being seized by two water nymphs; the style and composition strongly recall the work of Canova, whom Gibson greatly admired. |
| 女神解开她的鞋 | - |
| 有色的维纳斯(细节) | - |
| 沃尔特·萨维奇·兰多 | - |
| 威廉·赫斯基森 | - |
| 一个追逐蝴蝶的小天使 | - |
| 约翰·菲利普·肯布尔 | - |
| 安娜·布劳内尔·詹姆士 | - |
| 查尔斯·洛克·伊斯特莱克先生 | - |
| 莱斯特夫人纪念碑。天使抱着婴儿带领母亲上了天堂 | - |
| 有色的维纳斯（细节） | - |
| 睡觉的牧童 | - |
| 威廉·罗斯科 | - |
| 威廉·范·米尔德特 | - |
| 海洛与利安得的约会 | - |
| 莎孚 | - |
| 赛克泽被泽费罗斯风神背起 | - |
| 巴黎 | - |
| 威廉·比维克的半身像 | - |
| 那耳喀索斯 | A protege of John Flaxman, John Gibson gravitated to Rome in 1818, becoming a pupil of the grandest of all neoclassical sculptors, Antonio Canova. Gibson's style was determined by his admiration for, and emulation of, the prototypical masterpieces of Greek and Roman statuary. A resulting academic quality, perfectly in accord with contemporary expectations of taste, became his sculptural signature. Though he experimented on occasion with polychromatic techniques and unusual materials, Gibson's preferred medium was marble, with its traditional associations of purity and chasteness. In this version of the Narcissus legend, inspired by a Roman youth gazing into a fountain, the sculptor transformed an everyday sight into a vision of antiquity. The subject's hairstyle and footwear are dutifully quoted from classical sources. |
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