威廉·威廉斯全部影视作品
首发于 qinglite.cn，统计截止日：2025-02-18
 伴随艾米莉亚死亡的雷雨 | This 'Sublime' landscape subject illustrates an episode in 'Summer' from James Thomson's cycle of poems 'The Seasons', first published in 1730. The passage describes the romance between Amelia and Celadon whose lovers' stroll ends in tragedy when they are caught in a violent storm and Amelia is struck dead by lightning. The scene of the disaster is set in Caernarvonshire, Wales, with the peak of Snowdon visible in the distance.Williams, who originally came from Norfolk, was an itinerant painter of landscapes and history subjects. His early training as a scenery painter for the theatre probably influenced his choice of dramatic subject-matter and powerful atmospheric effects. |
| 萨罗普郡里煤溪谷的清晨风景 | - |
| 黛博拉·霍尔 | The portrait of sixteen-year-old Deborah Hall demonstrates the rich and multilayered language of symbols at the disposal of portraitists in British America. William Williams portrayed his young subject in a fictional, carefully designed landscape standing alongside a relief sculpture of Apollo and Daphne, who escaped the god’s unwelcome advances by turning into a laurel tree. This detail refers to both the sitter’s chastity and her liberal education and refined upbringing. The sitter’s rose-colored dress, known as an “open robe,” not only attests to her au courant style but also acts as an unmistakable signifier of her family’s wealth and social status. |
| 道路以及坐在门上男人的风景 | - |
| 威尔·本莫法 | - |
| 河畔蓄势待发的水鸟 | - |
| 风景 | - |
| 利兹柯克斯托尔修道院 | - |
| 吉尔伯特·迈克哈钦 | - |
| 罗杰·波克林顿 | - |
| 什罗普郡，奧斯沃斯特里，教堂街 | - |
| 什罗普郡科尔布鲁克代尔的午后风光 | - |
| 威利家族 | - |
| 煤溪谷附近的铸铁桥 | - |
| 霍特韦尔和罗恩汉姆渡口 | - |
| 一个男孩的肖像，可能来自克罗斯菲尔德家族 | - |
| 托马斯·斯塔林（1706-1788），诺维奇市市长（1767年） | - |
| 一位女士的画像 | - |
| 绅士和妻子 | - |
| 在纪念碑车道，埃德巴斯顿的议院前的交谈片断 | - |
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