亨利·劳伦斯全部影视作品
首发于 qinglite.cn，统计截止日：2025-07-25
 叼烟斗的男人 | - |
| 人物 | - |
| 无题（对话） | - |
| 吹单簧管的男人 | - |
| 拳击手的头像 | - |
| 人鱼 | - |
| 黄昏 | - |
| 吉他玫瑰 | - |
| 玻璃瓶子 | - |
| 勒格兰德再见 | - |
| 妇女 | - |
| 拉格兰德的音乐家 | - |
| 昂地内酒店 | - |
| 一个年轻女孩的头像 | Henri Laurens, who associated closely with the avant-garde painters of his native Paris, worked in a Cubist idiom from 1915. In about 1920 he turned from the production of bas-reliefs and frontalized constructions to the execution of more classically ordered, freestanding sculptures. Head of a Young Girl may have appeared originally as a drawing. However, in this bust Laurens expresses Cubist painting principles in essentially sculptural terms. The tilted surfaces and geometric volumes of the sculpture interpenetrate to constitute a compact whole. Circling the piece, the viewer perceives dramatically different aspects of the head, which provide a variety of visual experiences unexpected in a form so schematically reduced.The structuring planes of one side of the head are broad and unadorned; its edges and planar junctures form strong, uninterrupted curves and straight lines. The other side is articulated with detail; its jagged, hewn contour describing hair contrasts rhythmically with the sweeping curve of the opposite cheek. Laurens slices into the polyhedron that determines the facial planes to describe nose, upper lip, and chin at one stroke. The subtle modeling, particularly of the almond eye and simplified mouth, produces nuanced relations of light and shadow. Despite the geometric clarity of structure, the delicacy of the young girl’s features and her self-contained pose create a gentle, meditative quality. |
| 曙光 | - |
| 安菲西恩 | - |
| 沐浴者(碎片) | - |
| 坐着的女人 | - |
| 戴头巾的女人 | - |
| 瓦伦西亚 | - |
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