约翰·巴尔代萨里全部影视作品
首发于 qinglite.cn,统计截止日:2025-01-12
猪:肘部系列的模型 (A3) | - |
猪:肘部系列的模型(A1) | - |
鲜血(雷蒙德·卡佛) | - |
初步印象(第五状态) | - |
狐狸: 肘部系列的模型(B1) | - |
假设它终究是真的?然后会怎样呢? | - |
纯粹的美 | - |
火葬计划 | In 1970 Baldessari burnt all of the paintings he had created between 1953 and 1966 as part of a new piece, titled The Cremation Project. The ashes from these paintings were baked into cookies and placed into an urn, and the resulting art installation consists of a bronze plaque with the destroyed paintings' birth and death dates, as well as the recipe for making the cookies. Through the ritual of cremation Baldessari draws a connection between artistic practice and the human life cycle. Thus the act of disavowal becomes generative as with the work of auto-destructive artist Jean Tinguely. |
倒下的画架 | - |
钱,中间有空隙 | - |
屁股:肘部系列的模型(A2) | - |
错误 | In 1967 John Baldessari exhibited his ‘wrong’ series. He uses a selection of photographic images anchored by text. The most famous of which titled ‘wrong’ shows an image with poor composition juxtaposed by the text ‘wrong’ bellow the photograph. This image references a chapter on composition in a photography techniques book. The irony of the word is what makes the image so appealing, just blatant judgement of the photograph. The message that Baldessari was trying to say in the image is why should we conform to conventional aspects of art or photograph, why does our work have to be judged? The interesting fact is that an idea cannot be wrong or right as it is executed as a personal response. John Baldessari once stated: "You don't want anyone to say 'You can't do that!' But you do get a lot of that in New York. One of the healthiest things about California is - 'Why not?' |
向空中抛三个球以获得一条直线 | - |
委托的画:帕特·纳尔逊的画作 | - |
为库伯勒作画 | - |
没有任何接合的二维表面是一种死亡体验 | - |
飞碟和云(蓝色) | - |
盒子(失控的命运与文化) | - |
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