汉斯·哈克全部影视作品
首发于 qinglite.cn,统计截止日:2024-11-25
蓝帆 | - |
冷凝墙 | - |
有香烟的牛仔 | Haacke's controversial 1990 painting Cowboy with Cigarette turned Picasso's Man with a Hat (1912–13) into a cigarette advertisement. The work was a reaction to the Phillip Morris company's sponsorship of a 1989–90 exhibition about Cubism at the Museum of Modern Art. |
奖金-风暴 | - |
全球营销 | One of Haacke's targets is Charles Saatchi, a powerful collector of contemporary art and trustee of the Tate Gallery in London who recently opened his own museum in that city. Charles and Maurice Saatchi are the founders of Saatchi & Saatchi, perhaps the largest advertising agency in the world. ''Global Marketing'' is a large black cube on which Haacke has documented in black letters the scope of Saatchi's business involvements in South Africa. The black on black recalls the tough, 1960's black-on-black paintings of Ad Reinhardt, but in Haacke's work the glossy black on matte black also suggests a tuxedo. The box builds on the deathly quality of Tony Smith's black cubic sculpture ''Die.'' (Michael Brenson) |
借刀杀人 | - |
展开的赫尔姆斯伯勒县 | - |
无题 2 | - |
无题 #1 | - |
隔离箱 | - |
国情咨文 | - |
新闻 | - |
冷凝立方体 | - |
宽白流 | - |
莱茵水净化厂 | - |
MoMA民意调查 | In 1970 Hans Haacke proposed a work for the exhibition entitled Information to be held at the Museum of Modern Art in New York (an exhibition meant to be an overview of current younger artists), according to which the visitors would be asked to vote on a current socio-political issue. The proposal was accepted, and Haacke prepared his installation, entitled MoMA Poll, but did not hand in the specific question until right before the opening of the show. His query asked, "Would the fact that Governor Rockefeller has not denounced President Nixon's Indochina Policy be a reason for your not voting for him in November?" Visitors were asked to deposit their answers in the appropriate one of two transparent Plexiglas ballot boxes. At the end of the exhibition, there were approximately twice as many Yes ballots as No ballots. Haacke's question commented directly on the involvements of a major donor and board member at MOMA, Nelson Rockefeller. This installation is an early example of what in the art world came to be known as institutional critique. |
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