约瑟夫·斯特拉全部影视作品
首发于 qinglite.cn，统计截止日：2025-01-03
 科尼岛 | - |
| 副产品工厂 | - |
| 光之战，康尼岛 | - |
| 月神公园 | - |
| 烟囱 | - |
| 纽约解读五，桥 | - |
| 玫瑰骑士 | - |
| 大都会港口 | - |
| 未来主义构图 | - |
| 工厂 | - |
| 桥 | The theme of the industrial and technological power of the United States, embodied in the engineering masterwork of the Brooklyn Bridge, was one that Stella explored repeatedly.The overall composition of Bridge calls to mind an altarpiece. Massive cables arc upward, and we glimpse indistinct city skyscrapers through the archways. Framing the bottom of the painting (like a predella, the base of an altar) are black, gray, electric-blue, and luminous yellow circles representing subways — the veins and arteries that connect the inhabitants of New York's vast landscape. |
| 布鲁克林大桥 | In the Brooklyn Bridge, Stella found a subject that impressed him, he said, “as the shrine containing all the efforts of the new civilization of America.” Brooklyn Bridge, his signature image, addressed the two aesthetic currents of his time —representation and abstraction —to suggest the deeper significance of this modern architectural icon. Stella photographed its various components —the maze of wires and cables, the granite piers and Gothic arches, the pedestrian walkway and subway tunnels, the thrilling prospect of Manhattan skyscrapers — as an abstract pattern of line, form, and color that evokes an idea of the bridge rather than faithfully describing it. Yet, as one critic observed, Stella’s interpretation seemed “more real, more true than a literal transcription of the bridge could be.” A “literal transcription” would have represented only its appearance, the impression it left upon Stella’s retina. A Futurist rendition could also account for more subjective impressions, the physical and psychological sensations it produced on the artist. |
| 鲜花，意大利 | - |
| 公牛 | - |
| 棕榈树和鸟 | - |
| 那不勒斯之歌 | - |
| 世界各地的男人，女人和孩子团结在耶稣周围 | - |
| 玫瑰的神化 | - |
| 一个幻像 | - |
| 亚马逊 | - |
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