辛迪·舍曼全部影视作品
首发于 qinglite.cn，统计截止日：2025-08-17
 无标题E | - |
| 无标题 | Bus Riders is a series of fifteen black and white photographs Sherman produced shortly after graduating from the State University College at Buffalo, New York, where she studied art (1972-6). They were not publically exhibited until the artist had them reprinted in late 2000 for an exhibition at Glen Horowitz Booksellers at East Hampton, New York, together with another series from the same period, Murder Mystery People (1976/2000). Both series were reprinted in editions of twenty. Bus Riders and Murder Mystery People provide an important bridge between a series Sherman created as a student, Untitled A, B, C and D 1975, and her first major work, the Untitled Film Stills 1977-80). Like these other early series, Bus Riders may be seen as an exploration of portraiture and the mechanics of its staging. |
| 无标题 #97 | Sherman’s photographs Untitled #97, 98, 99 and 100 are collectively known as her ‘Pink Robes’ series. They feature a pink chenille bathrobe, the only prop used in this series apart from a white face towel, and the edge or corner of a chair, in #100. In the first three images Sherman holds the robe to her body, covering herself with it; in the last image she wears it. The photographs were shot close-up so that the artist entirely fills the frame. They are slightly larger than life size. The images become progressively darker through the series; in all of them the background is too dark to be visible. Sherman has explained: ‘I was thinking of the idea of the centerfold model. The pictures were meant to look like a model just after she’d been photographed for a centerfold. They aren’t cropped, and I thought that I wouldn’t bother with make-up and wigs and just change the lighting and experiment while using the same means in each.’ |
| 无题 #193 | - |
| 无题 B | Untitled A, B, C and D belong to a more extensive series of photographs Sherman made while she was studying art at the State University College at Buffalo, New York (1972-6). She selected five images from the series and arbitrarily labelled them A to E. They were enlarged and reprinted in editions of ten. Tate’s copies are the first prints in each edition. |
| 无题D | - |
| 无题 #66 | - |
| 无标题 #92 (插画) | - |
| 无标题 #99 | - |
| 无题#100 | - |
| 无题 #126 | Untitled #126 is a colour photograph in which the artist appears, costumed and made up, posing with one foot up on a cane chair. It belongs to one of four groups of photographs relating to fashion photography that Sherman produced between 1983 and 1994. The first group, into which Untitled #126 falls, was commissioned by American retail entrepreneur Diane Benson for a spread in Interview magazine. She supplied Sherman with clothes by such top-of-the-range international designers as Jean-Paul Gaultier and Comme des Garçons. In the same year the French fashion house Dorothée Bis offered their own clothes for a series to appear in French Vogue. The images Sherman created for these two ‘fashion shoots’ are the antithesis of the glamorous world of fashion. The model in the photographs appears silly, angry, dejected, exhausted, abused, scarred, grimy and psychologically disturbed. |
| 无题#211 | - |
| 无题#488 | - |
| 无题 #489 | - |
| 无题 #199 | - |
| 无题 #204 | - |
| 无题#214 | - |
| 无题 #223 | - |
| 历史肖像#224 | - |
| 无题#225 | - |
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