简介
让·埃里翁(JeanHelion,1904年4月21日-1987年10月27日),法国著名画家,新德国野兽派的先驱。曾参与创立抽象-创作(Abstraction-Création)集团,被公认是一位领先的抽象画家。让·埃里翁在20世纪30年代的抽象绘画备受尊重,后脱离抽象绘画,转而绘制具象作品,50年代初改变为自然主义风格,剩下的20年里,显示了他对特殊主题的关注:艺术家和模特、切片的南瓜、雨伞、意外跌落、街景和街道修复等。他也撰写了诸多艺术评论著作。美国波普画家罗伊·里奇腾斯坦(RoyLichtenstein)就深受其影响。埃里翁一直能够通过色彩的活泼和他作品的节奏在他的作品中表达他的青春精神。20世纪60年代,受到新一代画家吉尔·艾拉德(GillesAillaud)和爱德华多·阿罗约(EduardoArroyo)画家的追捧,他至今被认为是20世纪70年代新德国野兽派的先驱。埃里翁的作品《裸体背面》被巴黎现代艺术博物馆收藏,《抽象构成》、《IledeFrance》、《Dosaupain》被伦敦泰特美术馆收藏,《龙的三联画》、《蜘蛛市场》、《龙虾》被法国布列塔尼当代艺术基金会收藏。
影视作品
无题(写生簿一页)
重要的日常阅读(伟大的报纸)
摔倒的人
玫瑰图
无题,33
平衡
Between1932and1935JeanHélioncreatedaseriesofpaintingsexploringstatesofvisualequilibrium.AmongtheearliestoftheseisEquilibrium(CollectionMr.andMrs.RoyFriedman,Chicago),asimplecompositionof1932inwhichtwocurvedrectangularshapesareheldinbalancebytwoslightlycurvedlines.InhisworkingjournalHélionrecordedthefollowingobservationsaboutthiswork:“Insearchingfortheeffectofspaceandmovementontheelements,thatistosayinconstructingaworkinmovement,ratherincreatingequilibriumoutofmovement,myimageshavebecomemorepliant....Toestablishrelationsbetweensurfacesascomplexasthosewhicharedefinedbycurves,itisnecessarytoarrangenuances.”Followingthisinitialexperimentation,Hélioncomposedseveralvariationsonthethemeofequilibrium.Generallyheworkedwithdrawingsandoilstudiesbeforereachingtheformalsolutionsofhislargecanvases.Hisconcerninthepresentworkistoestablishabalancebetweentheblocky,simple,essentiallyrectangularmassontherightwiththemorecomplex,morecolorful,andvariedformsontheleft.Theconstructionontheleft,whichiscomposedofoverlappingandinterpenetratingcurves,bars,andlines,isnotcontinuous.Carefulinspectionrevealsthattheunitoffourelementsintheupperleftcorner(thered,gray,andblackbarsandthegreenshape)doesnottouchtheformsimmediatelybelowit.AsimilarlystrategicuseofdiscontinuousformsoccursinotherworksintheEquilibriumseries.Inthepresentpaintingthesubtlydisconnectedarrangementcontributestothesenseofmovementanddispersionoftheleftsideofthecomposition.Themultiplehuesusedattheleftalsogeneratevisualcomplexity.Thehorizontalcurvesontheleftallpointtothecentralwhitevoid,whichisembracedbythemorerigidlyhorizontaldarkblueandlightgreenarmsofthestableconstructionontheright.Vibrantredandorangebarsunitetheedgesofthecompositionwithcentralformsandbindtogetherrightandlefthalves.Astateofvisualbalanceisthusachievedwithoutresortingtothepurelyrectilinear,oftenprogrammaticformulationsoftheDeStijlartistswhohadinfluencedHélion.TheEquilibriumseries,embodyingideasofsuspensionandtensionoftwo-dimensionalforms,inspiredAlexanderCalder,whowascontemporaneouslydevelopinghiswind-drivenmobiles.(ElizabethC.Childs)
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2023
2023-07
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