迈克尔·哈夫特卡

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迈克尔·哈夫特卡(Michael Hafftka),1953年出生于美国纽约,是一位表现主义画家。从迈克尔的作品,可以感受到他的情感、生活态度。迈克尔
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迈克尔·哈夫特卡(Michael Hafftka),1953年出生于美国纽约,是一位表现主义画家。从迈克尔的作品,可以感受到他的情感、生活态度。迈克尔的作品常常被归类为新表现主义者,受到戈雅、培根和席勒的影响。在许多博物馆的永久收藏中都有他的作品,这些博物馆包括:大都会艺术博物馆,纽约现代艺术博物馆,布鲁克林艺术博物馆,旧金山现代艺术博物馆等。
影视作品
两个观察者
Source and Inspiration:"The division in our lives is the structure of thought, which is the action of the observer who thinks himself separate. He further thinks of himself as the thinker, as something different from his thought. But there can be no thought without the thinker and no thinker without the thought. So the two are really one. He is also the experiencer and, again, he separates himself from the thing he experiences. The observer, the thinker, the experiencer, are not different from the observed, the thought, the experienced. This is not a verbal conclusion. If it is a conclusion then it is another thought which again makes the division between the conclusion and the action which is supposed to follow that conclusion. When the mind sees the reality of this, the division can no longer exist. This is the whole point of what we are saying. All conflict is this battle between the observer and the observed. This is the greatest thing to understand."J Krishnamurti
二分心
Inspired by the film "The Cave of Forgotten Dreams" by Werner Herzog and the book "The Origin of Consciousness in The Breakdown of The Bicameral Mind" by Julian Jaynes.
记忆
The artist's words about this painting: "When I was a child before the age of 10 I had a reoccurring nightmare that woke me up in a cold sweat shivering with fear. The nightmare was that I was on a railroad handcar pumping relentlessly going in all directions simultaneously at the speed of light and at any moment I would be completely obliterated. I never told my parents about the nightmare but every time it happened I was overwhelmed by it. Then one night I decided that I am not going to wake up I am going to continue on the car and see what happens. The most astonishing thing happened, the experience turned to pleasure. In fact it was so desirable I tried to recreate the feeling over and over again.Recently I read this quote by Joseph Campbell from Sukhavati: Place of Bliss: A Mythic Journey. "We're in a freefall into future. We don't know where we're going. Things are changing so fast, and always when you're going through a long tunnel, anxiety comes along. And all you have to do to transform your hell into a paradise is to turn your fall into a voluntary act. It's a very interesting shift of perspective and that's all it is... joyful participation in the sorrows and everything changes."One of my most formative experiences when I was beginning painting in 1975 was the realization that every painting presents a point at which I have to risk everything. There is much good about the painting so far but there is also something incomplete, something still not right about the whole. It is at that moment that I must dive in, even if it risks all the good that is there, I must. I found that this approach works for me, that choosing to dive in transforms everything and in the process I find the way. Joseph Campbell's quote reminded me of my experience with the nightmare. I realized that my willingness to risk everything when I paint was learned from that experience. My painting 'Memory' is about my childhood nightmare. An acquaintance with familial background similar to mine, told me that many of her relatives tried to escape the Nazis on railway handcars and perhaps my nightmare was a transgenerational memory. “Whatever does not emerge as Consciousness,” Carl Jung said, “returns as Destiny.”
折射
魔术师
眼睛
直达天堂
莎士比亚
停止
In private collection
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2023
2023-07
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