视而不见 We Still Have To Close Our Eyes (2019)认领

　　黑白畫面，冷調敘事，近未來的人類意志可被程式輕易挾持。瀰漫惡托邦式幻滅氛圍的影像，最初始為劇情電影拍攝現場的側拍花絮。創作者實驗了意義的賦予與變造，亦對菲國產業及社會現況提出觀察。翻玩影像之餘，更藏有為女兒留下影像工作紀實的人父心情。 　　A compilation of behind-the-scenes footage shot while filming various Filipino films, including those of Lav Diaz and Erik Matti, creates a sense of quiet tension. In the style of slow narrations and in-depth observation, the film builds a dystopian sci-fi narra...