莱拉 Laila (1929)认领

　　Not laden with the obvious and overstated national romanticism in the pictorial compositions as a few of its Norwegian contemporaries (most notably Rasmus Breistein's "Brudeferden i Hardanger", 1926), this film displays a certain freshness unusual for Norwegian films to date. Part of this fact is probably due to having a Dane direct in the relatively harsh conditions of norther...