Mirage (2010)认领

　　Jean-Claude Rousseau likes confined places. Hotel rooms, apartments, we recognize the minimal decor of many of his films. Now, for the first time, we are still inside but elsewhere, this time in a public place: a cinema. Empty seats (like in Enthusiasm by Vertov), wandering timidly between the elements of furniture, from the deserted bar to the window, JCR, the lone protagonist...