一见钟情 ერთი ნახვით შეყვარება (1977)认领

　　Ever since his first exercises behind the camera, Rezo Esadze’s cinema has been pierced -or intervened- by censorship. In his debut film, Fro, he had to cut a series of scenes, and the same thing happened with Love at First Sight. The problem wasn’t the burlesque tone or those subtly erotic sequences—the reason for which the production and exhibition of this film could be consi...