皮靴里的钉子 Гвоздь в сапоге (1931)认领

　　Having naively assumed that Kalatozov without Urusevsky would be somewhat underwhelming, I was astounded to see the brilliance of the imagery and montage in his early silent works (both here and in Salt For Svanetia). The machine-gun editing is as exhilarating as anything I've seen, and would surely have Guy Maddin weeping tears of joy. 　　I've no idea what the film is actually a...