N:O:T:H:I:N:G (1968)认领

　　N:O:T:H:I:N:Gisafilmbeingdeplenishedofall,ofanysignifiedstanceandinvolvedonlyinthemanneroffilmitself.Justthedrawingofabulb,theprojectorlightandachairremaininthespaceofthescreen.Butthesearejustrandomdisruptionsofmonochromeframes.　　Thewholefilmisbuildasavibrationofrhythms'energy-colour',basedonthestructureoftibetanma...