理查德 · 希科克斯认领

Symphony No. 2, Op. 51: IV. Allegro (Revised 1976)
Voices of the Night, Op. 86
Viola Concerto

Symphony No. 1: III. Presto
Symphony No. 2: IV. Allegro moderato
Suite from 'New Year': XI. The Beating-Out of the Scapegoat (the Bad Old Year)

Sebastian Suite: IV. Cortège
Sebastian Suite: V. Sebastian's Dance
Sebastian Suite: II. Barcarolle

The Golden Goose, Op. 45 No. 1: II. The Mummers' Play
The Perfect Fool, Op. 39, H. 150: I. Andante
The Golden Goose, Op. 45 No. 1: III. The Human Organ

Flute and Harp Concerto in C Major, K. 299: III. Rondo. Allegro
Oboe Concerto in C Major, K. 314: III. Rondo. Allegretto
Flute and Oboe Concerto in C Major: I. Allegro spirituoso

Aurora - Tone Poem For Orchestra
Mass, "Princeps pacis": I. Kyrie
Three Spring Miniatures: I. Gossamer (A Little Waltz)

Horn Concerto: I. Free and dreamy, as though improvised - Malizioso
Coronach
Serenade: III. Allegro moderato

Nunc dimittis
Lunar Beauty: No. 3, Orpheus
Canciones del alma: No. 2, Tras de un amoroso lance

Symphony No. 5: III. Romanza. Lento
Hymn-Tune Prelude on Song 13 by Orlando Gibbons
Symphony No. 5: I. Preludio. Moderato

Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): II. Gloria. Gloria in excelsis Deo
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): III. Credo. Credo in unum Deum
Mass in B-Flat Major, Hob. XXII:13, "Schöpfungsmesse" ("Creation Mass"): VI. Agnus Dei. Dona nobis pacem

Christopher Columbus (A Musical Journey), Part I: Introduction. No, it cannot be done (Ironic Spirit, Columbus, Chorus)
Christopher Columbus (A Musical Journey), Part I: I. My name is Christopher (Columbus, Ironic Spirit)
Hamlet and Ophelia

Ruth, Op. 50, Scene 3: Lo, my beloved, my soul's delight, to thee I give my hand (Boaz, Ruth)
Ruth, Op. 50, Scene 2: The scatter'd ear of corn (Women, Men)
Ruth, Op. 50, Scene 1: Ah, call me not Naomi, let Mara be my name (Naomi)

The Cloud Messenger, H. 111: Tarry not, O Cloud, tarry not. Rushing northward . . .
The Hymn of Jesus, H. 140: The Hymn
Four Part-songs, Op. 4: IV. Winter and the birds

Symphony No. 4: II. Development 1. Tempo 3
Fantasia Concertante on a Theme of Corelli
Fantasia on a Theme of Handel

Ritual Dances: VIII. Transformation
The Rose Lake: XII. Calm
Ritual Dances: III. Preparation for the First Dance

The Love for Three Oranges, Act I Scene 2: Who's that? (Leandro, Smeraldina, Clarissa)
The Love for Three Oranges, Act I Scene 1: Leandro, please lay on a sort of royal variety show (King, Leandro, Pantaloon, Eccentrics)
The Love for Three Oranges, Act IV Scene 2: Are you ready? (Leandro, Master of Ceremonies, King, Chelio, Courtiers)

Five Tudor Portraits: III. Burlesca. Epitaph on John Jayberd of Diss
Five Tudor Portraits: IV. Romanza. Jane Scroop (Her Lament for Philip Sparrow)
Five Variants of Dives and Lazarus

The Consul, Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, John, Magda, Mother)
The Consul, Act I Scene 1: Interlude
The Consul, Act I Scene 2: Next. Next! (Secretary, Foreign Woman, Mr Kofner)

The Saint of Bleecker Street, Act III Scene 1: Weeping, these, for him, are days of weeping (Maria Corona, Annina, Michele)
The Saint of Bleecker Street, Act I Scene 1: Interlude
The Saint of Bleecker Street, Act I Scene 2: Sister, I shall hide you and take you away (Michele, Annina)

War and Peace, Op. 91, Scene 4: She's wonderful and so beautiful (Natasha, Anatoly, Sonya, Count Rostov)
War and Peace, Op. 91, Scene 11: Davout, the cruel Davout, the emperor Napoleon's hatchet man! (Pierre, Davout, Officer, Ivanov, Karatayev)
War and Peace, Op. 91, Scene 1: O God, my God! What a shame to sleep! (Natasha, Prince Andrey)

Country Gardens
The Sea-Wife
Mock Morris (Version for Orchestra)

We Shall See Him As He Is: Refrain. The Unfolding of the Great Mystery
We Shall See Him As He Is: Ikon IX
We Shall See Him As He Is: Ikon VIII

Sea-Surface Full of Clouds, Op. 28: Canto III
Sea-Surface Full of Clouds, Op. 28: Interlude I
Romanza, Op. 31

The Dream of Gerontius, Op. 38, Part II: Praise to His Name! - Take me away (The Angel, The Soul of Gerontius)
Songs of Sunset, RT II/5: VIII. They are not long, the weeping and the laughter (Mezzo-Soprano, Baritone)
Symphony No. 1, Op. 22: I. Allegro

Timon of Athens: Return, revolting rebels (Bacchus)
Dioclesian, Z. 627, Act IV: Tune for Trumpets
Dioclesian, Z. 627: First Musick

Dioclesian, Z. 627, Act IV: Fourth Act Tune
Dioclesian, Z. 627, Act IV: Butterfly Dance
Dioclesian, Z. 627: First Musick

Dioclesian, Z. 627, Masque: The Third Entry. Tell me why (Shepherd, Shepherdess)
Dioclesian, Z. 627, Masque: Still I'm wishing (Follower of Cupid)
Timon of Athens, Masque: Come let us agree (Cupid, Bacchus, Chorus)

The World of the Spirit, Part III. Epilogue: X. Come, O Creator Spirit, Come (Chorus)
The World of the Spirit, Part II. The Fruits of the Spirit: VId. The Chief Rabbi Abraham Bloch (Speaker 2)
The World of the Spirit, Part III. Epilogue: VII. Spirit to whom my spirit would reply (Speaker 1, Speaker 2)

Eis Thanaton: To this shrine of the first Christians (Son)
Eis Thanaton: Ask me not. Never search the inexpressible mystery of death (Mother)
Eis Thanaton: Wait! Do not forsake your grieving son (Son, Mother, Church)

Seven Part-Songs, Op. 44, H. 162: I. Say who is this?
Seven Part-Songs, Op. 44, H. 162: VI. Love on my heart from Heaven fell
Ode to Death, Op. 38, H. 144